Perullo, A., Consuming Copyrights: The New Commons, Digital Sound Recordings, and the Legalities of Ownership in African Music, Duke University Press.
Perullo, A., Editing a volume on "Imaginations and Alternative Futures in Eastern African Expressive Art Forms," forthcoming 2023 in a Special Issue for the Nordic Journal of African Studies. , Nordic Journal of African Studies.
Perullo, A., Education as Entertainment: Arts Broadcasts on Radio Tanzania Dar es Salaam between 1970 and 1993, University of Dar es Salaam/ Mkuki wa Nyota.
Perullo, A., Fragmentation and Fermentation in Urban Tanzanian Hip Hop, Cambridge University Press.
Perullo, A., Politicizing the Commons: Street Vendors and Public Spaces in Tanzania, Cultural Anthropology.
Perullo, A., Review of Kwaito鈥檚 promise: music and the aesthetics of freedom in South Africa, by Gavin Steingo, Chicago: University of Chicago Press, 2016, 320 pp., $30.00 (paperback), ISBN: 978-0-226-36254-0, Popular Music and Society.
Perullo, A., Silencing Societies Songs: The Rise of Censorship and the Limits of Social Justice in Tanzania, African Affairs.
Perullo, A., Time and Imagined Futures in Eastern African Art Forms, Nordic Journal of African Studies, 2024.
Perullo, A., Review of Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka, Journal of Ethnomusicology, 2021.
Perullo, A., Music in East Africa, Oxford University Press, 2020.
Perullo, A., Teeth Appear Themselves: Laughter and Humor in East Africa, Ohio University Press, 2019.
Perullo, A., Downloading the Digital Archive: Ethical Issues and Copyright Policies in the Online Distribution of Archived Music., Oxford University Press, 2019.
Perullo, A., Review of Street Archives and City Life: Popular Intellectuals in Postcolonial Tanzania. Emily Callaci. Durham, NC: Duke University Press, 2017, 296 pp. $25.95, paper. ISBN 978-0-8223-6991-2., Journal of Anthropological Research, 2019.
Perullo, A., Review of Street Archives and City Life: Popular Intellectuals in Postcolonial Tanzania. Emily Callaci. Durham, NC: Duke University Press, 2017, 296 pp. $25.95, paper. ISBN 978-0-8223-6991-2., ournal of Anthropological Research, 2019.
Perullo, A., Review of Jazz Cosmopolitanism in Accra: Five Music Years in Ghana, American Ethnologist, 2015.
Perullo, A., 鈥淢usical Property Rights Regimes in Kenya and Tanzania after TRIPs,鈥 , Sage Publishers, 2014.
Perullo, A., 鈥淵outh of Many Days: Authority, Health, and Pensions among Elder Musicians in Tanzania.", The World of Music, 2014.
Perullo, A., 鈥淩ights: The Rise of Rights and Nonprofit Organizations in East African Societies.鈥 , Indiana University Press, 2014.
Perullo, A., 鈥淩ights: The Rise of Rights and Nonprofit Organizations in East African Societies.鈥 , Indiana University Press, 2013.
Perullo, A., African Digital Archive (ADA), Online, Interactive Digital Archive, 2013.
Perullo, A., "Imitation and Innovation in the Music, Dress, and Camps of Tanzanian Youth," , Indiana University Press, 2012.
Perullo, A., Artistic Rights: Copyright Law for East African Musicians, Artists, Writers, and Other Authors, US State Department and Kwetu Press. , 2012.
Perullo, A., "Hooligans and Heroes Youth Identity and Hip-Hop in Dar es Salaam, Tanzania," , Routledge Press, 2011.
Perullo, A., "Politics and Popular Song: Youth, Authority, and Popular Music in East Africa," , African Music, 2011.
Perullo, A., Live from Dar es Salaam: Popular Music and Tanzania鈥檚 Music Economy, Indiana University Press, 2011.
